OWP
Belén de Eucalipto y Semillas de Calabaza
Belén de Eucalipto y Semillas de Calabaza
No se pudo cargar la disponibilidad de retiro
Para esta base de este Nacimiento se utilizan una nuez, semillas de calabaza y una vaina de eucalipto. Detrás de María y José hay un Ángel con alas de Pasta, el niño Jesús está envuelto en hojas de maíz y todos tienen cabezas hechas de frijoles blancos. ¿Tienes hambre todavía? Esta es una pieza perfecta para el coleccionista de natividad. Sé quien sea parte de ayudar al medio ambiente y ayudar a los demás.
- Los nacimientos tienen un promedio de 2-1/2" a 2-3/4" de diámetro y 2-1/2" a 3" de alto
- Las medidas variarán debido al tamaño de las vainas de eucalipto y las semillas de calabaza.
Hecho a mano en Ecuador e importado de Comercio Justo.
Camari es una palabra quechua que significa "regalo"; y fiel a su nombre, también es una organización de comercio justo que ha sido un regalo para muchas personas del Ecuador. Camari, miembro de la Organización Mundial de Comercio Justo (WFTO), fue fundada en 1981 para abordar los problemas inherentes a la comercialización de la agricultura de pequeña escala y la producción de artesanías en las comunidades rurales y marginadas de Ecuador.
Camari ayuda a los artesanos a encontrar acceso a crédito financiero, capacitación y asistencia técnica; sin embargo, desde el principio comprendieron que esto por sí solo no era receta suficiente para el éxito. Sin acceso directo a los mercados internacionales y de comercio justo, los artesanos y agricultores se ven obligados a vender a intermediarios a precios que no pueden satisfacer las necesidades básicas de la vida.
Desde sus inicios, Camari ha crecido hasta establecer numerosas tiendas en las principales ciudades de todo Ecuador, brindando acceso a los mercados internacionales y empleo alternativo a más de 6.500 familias de artesanos y agricultores en 18 de las 22 provincias de Ecuador.
About the Artisans
About the Artisans
Joyeria Semilla meaning Seed Jewelry is a small fair-trade workshop in the Andean town of Villa de Leyva, Colombia. Girasol Taborda, a local artisan and social entrepreneur, started the workshop in the mid-1990s.
Joyeria Semilla’s objective is three-folds; to create new jobs, revive Colombia's handicrafts sector and to motivate locals to better manage their natural resources. The organization works primarily with socially and economically disadvantaged youths, single mothers and people with disabilities in the area. The company offers free training in product design, technical training and marketing to new members. Joyeria Semilla has trained them in the craft of jewelry-making.
Caña Flecha or “Gynerium Sagittatum” is a locally found palm tree in the regions of the Caribbean coast. The leaves from this plant are used for making jewelry, woven hats, bags and baskets. The Zenú Indians were and their descendants inherited the tradition of picking veins of the green palm leaf for weaving. These veins were made into woven hats and other products for their personal use.
The Zenú culture is said to have existed between 200BC to1600AD. With the arrival of the colonizers in the 16th century, the indigenous community declined of unknown reasons. Today a very small population remains that claims the inheritance of the almost extinct Zenú tribe. Known for their skills in the construction of major waterworks, canals and irrigation system along with being skilled goldsmiths, examples of their accomplished craftsmanship are found in various museums around the world. Their larger means of subsistence were hunting, farming, fishing and trading.
Caña Flecha is found in abundance in the region, and hence makes for a sustainable and naturally available raw material for these products. Every bit of the plant is utilized – from using in building walls and roofs in houses to food for cattle and medicinal purposes. It is from the central vein of the leaf that the fibers for weaving are obtained. After the hard surface is peeled off, the fibers are left in the sun to dry and undergo a natural tinting process; these fibers are barely about 1 millimeter in thickness and hence call for a lot of skill and patience to weave with. The dried fibers are then processed for natural coloration - some are boiled with lemon to whiten them and some are treated with mud and boiled with plantain leaves to blacken them. The designs are based on ancient motifs and mathematical representations, which are inspired by the early Zenú culture.
