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Spiral Cana Flecha Bracelet
Spiral Cana Flecha Bracelet
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Caña Flecha is a sugar cane like plant that can only be found along the coastal regions of Colombia, South America. The Zenu Tribe cultivates the thin stalk-like leaves using processes and techniques that date back to the 1500's and weaves them into various geometric patterns creating these unique bracelets.
Artisans at the fair trade organization Joyeria Semilla are known for creating jewelry from materials readily available in their environment including seeds, natural fibers and leaves. Joyeria Semilla’s objectives are to create new jobs, to revive Colombia's traditional handicrafts and to better manage their natural resources.
- Closed measures 1-1/4” with variable diameter
Handmade in Colombia and fair trade imported.
Joyeria Semilla meaning Seed Jewelry is a small fair-trade workshop in the Andean town of Villa de Leyva, Colombia. Girasol Taborda, a local artisan and social entrepreneur, started the workshop in the mid-1990s.
Joyeria Semilla’s objective is three-folds; to create new jobs, revive Colombia's handicrafts sector and to motivate locals to better manage their natural resources. The organization works primarily with socially and economically disadvantaged youths, single mothers and people with disabilities in the area. The company offers free training in product design, technical training and marketing to new members. Joyeria Semilla has trained them in the craft of jewelry-making.
Caña Flecha or “Gynerium Sagittatum” is a locally found palm tree in the regions of the Caribbean coast. The leaves from this plant are used for making jewelry, woven hats, bags and baskets. The Zenú Indians were and their descendants inherited the tradition of picking veins of the green palm leaf for weaving. These veins were made into woven hats and other products for their personal use.
The Zenú culture is said to have existed between 200BC to1600AD. With the arrival of the colonizers in the 16th century, the indigenous community declined of unknown reasons. Today a very small population remains that claims the inheritance of the almost extinct Zenú tribe. Known for their skills in the construction of major waterworks, canals and irrigation system along with being skilled goldsmiths, examples of their accomplished craftsmanship are found in various museums around the world. Their larger means of subsistence were hunting, farming, fishing and trading.
Caña Flecha is found in abundance in the region, and hence makes for a sustainable and naturally available raw material for these products. Every bit of the plant is utilized – from using in building walls and roofs in houses to food for cattle and medicinal purposes. It is from the central vein of the leaf that the fibers for weaving are obtained. After the hard surface is peeled off, the fibers are left in the sun to dry and undergo a natural tinting process; these fibers are barely about 1 millimeter in thickness and hence call for a lot of skill and patience to weave with. The dried fibers are then processed for natural coloration - some are boiled with lemon to whiten them and some are treated with mud and boiled with plantain leaves to blacken them. The designs are based on ancient motifs and mathematical representations, which are inspired by the early Zenú culture.
About the Artisans
About the Artisans
Marisol Medina used her creativity and love for animals to craft handmade wildlife creatures. She began her work with wire and cotton in Tabio, a small village 60kms from Bogotá in Colombia. Starting with readily available raw materials, and struggling through various challenges typical of a small business/enterprise, Marisol soon enhanced her techniques and the business as the demand for the product grew in the market. She began with participating at the annual national fair which takes place in Bogotá once every year. This is where Marisol was introduced to her first set of wholesale and retail clients.
Because of insufficient orders and a slow business, her workshop initially supported the artisans only for about 3 months. Piel Acida, a Bogotá-based organization that works with artisans from all over Colombia, showed keen interest in supporting Marisol’s cotton and wire animal enterprise. They provided support in all aspects to Marisol and her team. These products have been displayed and sold at various international trade shows such as the ones in New York and Frankfurt.
Marisol’s enterprise has meant much more than the enhancement of her skill and business – it has been a steady source of income for tens of artisans from the Tabio countryside. Thanks to organizations like Piel Acida, these artisans now have a consistent source of income and they also feel a distinct sense of empowerment.
Marisol is happy to see the growth of her small artistic talent into an enterprise. The Tabio Mountains have transformed her from an ordinary employee at a plastic factory to an independent entrepreneur. Today, her little workshop and the women involved have a brighter future.
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Materials
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