OWP
Luna Rococo Handbag
Luna Rococo Handbag
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Pretty and practical, our flowery Luna handbags are handmade from recycled Huipils (pronounced Wee-peel) in the rococo style. Huipil is the Spanish term for the traditional blouse worn by Mayan women in Guatemala. Huipils are the most significant part of a Mayan woman's costume, and to the knowledgeable observer it identifies a woman's village, social and marital status, religious background, wealth, and individual personality.
- Measures 12" wide x 10" high
- Dual cloth-covered, firm but flexible handles
- Reverse side is the same color as the handles
- Snap closure and zipped interior pocket
- Available in Blue, Brown, or Purple
Since these items are created from many different blouses, designs and styles will vary. Handmade in Guatemala and fair trade imported.
Chichicastenango, Guatemala, has become one of the most important heritage centers in Guatemala during the past 10 years, due to its predominant indigenous Maya Quiche population and their traditional textile products. Yet, despite increased tourism and a renewed interest in traditional Mayan crafts, work opportunities remain few for the indigenous population, many of whom are uneducated and otherwise unemployable.
Enter De Colores Art, a local business that levels the playing field for villagers by offering free training to anyone who demonstrates the initiative to learn a trade. The company employs 30 women and 18 men to knit and embroider textile products, with the option of working at home using materials provided by the company. De Colores recognizes the culture of its Mayan employees, and as such allows flexible hours and gives time off for sowing and harvest days.
De Colores also invests in community education projects by funding two local schools in the neighboring towns of Chujupen y Pachoj, and by providing scholarships to qualifying students.
In addition to stimulating the local economy by creating new jobs, De Colores makes a conscious effort to use recycled materials whenever possible. The reason for this is twofold: to preserve Mayan culture, as recycled textiles showcase traditional knitting patterns that aren’t often seen in newer textiles, and to reduce scraps and waste.
Communities collaborate in the production process, as men work on the biggest textiles and women do the embroidery, crochet and macramé seen in smaller pieces. In some cases, in order to be competitive, sewing machines are used to assemble the finished product, although all the components are handmade and handembroidered from cotton, wool and/or silk.
About the Artisans
About the Artisans
Joyeria Semilla meaning Seed Jewelry is a small fair-trade workshop in the Andean town of Villa de Leyva, Colombia. Girasol Taborda, a local artisan and social entrepreneur, started the workshop in the mid-1990s.
Joyeria Semilla’s objective is three-folds; to create new jobs, revive Colombia's handicrafts sector and to motivate locals to better manage their natural resources. The organization works primarily with socially and economically disadvantaged youths, single mothers and people with disabilities in the area. The company offers free training in product design, technical training and marketing to new members. Joyeria Semilla has trained them in the craft of jewelry-making.
Caña Flecha or “Gynerium Sagittatum” is a locally found palm tree in the regions of the Caribbean coast. The leaves from this plant are used for making jewelry, woven hats, bags and baskets. The Zenú Indians were and their descendants inherited the tradition of picking veins of the green palm leaf for weaving. These veins were made into woven hats and other products for their personal use.
The Zenú culture is said to have existed between 200BC to1600AD. With the arrival of the colonizers in the 16th century, the indigenous community declined of unknown reasons. Today a very small population remains that claims the inheritance of the almost extinct Zenú tribe. Known for their skills in the construction of major waterworks, canals and irrigation system along with being skilled goldsmiths, examples of their accomplished craftsmanship are found in various museums around the world. Their larger means of subsistence were hunting, farming, fishing and trading.
Caña Flecha is found in abundance in the region, and hence makes for a sustainable and naturally available raw material for these products. Every bit of the plant is utilized – from using in building walls and roofs in houses to food for cattle and medicinal purposes. It is from the central vein of the leaf that the fibers for weaving are obtained. After the hard surface is peeled off, the fibers are left in the sun to dry and undergo a natural tinting process; these fibers are barely about 1 millimeter in thickness and hence call for a lot of skill and patience to weave with. The dried fibers are then processed for natural coloration - some are boiled with lemon to whiten them and some are treated with mud and boiled with plantain leaves to blacken them. The designs are based on ancient motifs and mathematical representations, which are inspired by the early Zenú culture.
