Global Crafts
Arte de pared de tambor de acero haitiano náutico de pulpo x 16
Arte de pared de tambor de acero haitiano náutico de pulpo x 16
No se pudo cargar la disponibilidad de retiro
Elaboradas a partir de tambores de acero reciclados de 55 galones por artesanos de aldeas en Haití, ¡estas impresionantes obras de arte son verdaderamente únicas! El proceso de convertir láminas de metal en hermosas obras de arte se realiza a mano. Se cortan tambores de acero utilizados para transportar petróleo a la capital de Haití, el petróleo se quema para limpiar el metal y luego se aplana para crear un impresionante arte reciclado. Apto para uso interior o exterior.
- Tipo: Arte de pared de metal
- Colores: Metálico
- Materiales: Metal de acero reciclado
- Acabado: Laca
- Dimensiones: Aprox. 14" x 16"
- Cuidado: Si se exhibe al aire libre, se recomienda rociar con una laca transparente una o dos veces al año, ya que la exposición prolongada a los elementos provocará oxidación.
- Instrucciones para colgar: Para colgar obras de arte en metal, simplemente use clavos con cabeza de alfiler en los numerosos rincones y espacios disponibles en el diseño. Si las uñas son brillantes, es posible que desees oscurecer las cabezas con un marcador negro para ayudar a que las uñas desaparezcan visualmente.
Dada la naturaleza hecha a mano de este producto, permita variaciones menores. A medida que el metal se recupera de bidones de petróleo reciclados y se colorea mediante un proceso de combustión, su coloración variará ligeramente. Normalmente la pieza tiene una pátina de acero oscurecida. Si se pinta a mano, los colores exactos pueden variar, lo que habla de la naturaleza única de cada pieza. Cada obra de arte en metal, ya sea pintada o natural, está recubierta con una capa de laca transparente para ayudar a proteger el metal.
About the Artisans
About the Artisans
Joyeria Semilla meaning Seed Jewelry is a small fair-trade workshop in the Andean town of Villa de Leyva, Colombia. Girasol Taborda, a local artisan and social entrepreneur, started the workshop in the mid-1990s.
Joyeria Semilla’s objective is three-folds; to create new jobs, revive Colombia's handicrafts sector and to motivate locals to better manage their natural resources. The organization works primarily with socially and economically disadvantaged youths, single mothers and people with disabilities in the area. The company offers free training in product design, technical training and marketing to new members. Joyeria Semilla has trained them in the craft of jewelry-making.
Caña Flecha or “Gynerium Sagittatum” is a locally found palm tree in the regions of the Caribbean coast. The leaves from this plant are used for making jewelry, woven hats, bags and baskets. The Zenú Indians were and their descendants inherited the tradition of picking veins of the green palm leaf for weaving. These veins were made into woven hats and other products for their personal use.
The Zenú culture is said to have existed between 200BC to1600AD. With the arrival of the colonizers in the 16th century, the indigenous community declined of unknown reasons. Today a very small population remains that claims the inheritance of the almost extinct Zenú tribe. Known for their skills in the construction of major waterworks, canals and irrigation system along with being skilled goldsmiths, examples of their accomplished craftsmanship are found in various museums around the world. Their larger means of subsistence were hunting, farming, fishing and trading.
Caña Flecha is found in abundance in the region, and hence makes for a sustainable and naturally available raw material for these products. Every bit of the plant is utilized – from using in building walls and roofs in houses to food for cattle and medicinal purposes. It is from the central vein of the leaf that the fibers for weaving are obtained. After the hard surface is peeled off, the fibers are left in the sun to dry and undergo a natural tinting process; these fibers are barely about 1 millimeter in thickness and hence call for a lot of skill and patience to weave with. The dried fibers are then processed for natural coloration - some are boiled with lemon to whiten them and some are treated with mud and boiled with plantain leaves to blacken them. The designs are based on ancient motifs and mathematical representations, which are inspired by the early Zenú culture.
